Guitar resources

I realized today that I have a bunch of ukulele resources listed on a previous post, it's time that I made a similar post about guitar resources (especially since I started playing guitar in 2008 and the Uke in 2010).

Guitar Lessons:

• Someone today (2012-01-03) suggested Justin's Guitar Lessons. They are free and there are more than 500 videos available! If you like them, consider making a financial contribution or buying something in his store.
• Christian Guitar has some free lessons
  

How to play certain chords, use a capo and such:

• Barre Chords, Minor and m7 Chords on the Guitar
• Links I posted about using the Capo
• Some info I was taught bout Guitars, anchors, capos, chord shapes, and hammer-on
  

Just I have with the Uke Resources page, I'll be adding more information here as time goes on!

Barre Chords, Minor and m7 Chords on the Guitar

I've been learning new things on the guitar this summer and thought I'd post about them.

Barre Chords, sometimes called Bar Chords, allow you to move the same Chord "shape" up the guitar to another fret and form a new chord.

Keep in mind that each Fret is a half step. So, good examples are that the E chord, moved up 1 fret (you need to bar the 1st fret then to do the equivalent of moving up the Nut, the place where the strings go over the top part of the guitar neck) forms the F chord! (Because in half steps, the scale is A, A#, B, C, C#,D, D#, E, F, F#,G, G#, ...)
If you move it up 2 frets from the Nut, it would be the F# chord.

Also, the A chord, moved up 2 frets becomes the B chord!

The guitarforbeginners website shows what I'm explaining with a little animation.

Minor Chords
I also learned how to easily form Minor Chords from the E and A chords.
When the highest string (the highest frequency, the one closest to the floor) being held down is moved down one fret towards the Nut, a half step (to the minor 3rd), the chord becomes a Minor chord.

So, if you take the A chord and move your finger on the B string one fret lower (toward the Nut) you'll have an A minor chord.

For the E chord, you move your finger on the G string (actually playing a G#) down a half step (1 fret) which in this case is the nut (or an "open" string) to get Em (E minor)!

Am7 and Em7:
To get these minor chords to be minor 7th chords, just remove the 2nd finger (counting from the side of the neck furthest from the floor) so an open string is played.

So, to change the Am to Am7, lift your finger on the G string.
To change the Em to Em7, lift your finger on the D string (you'll only have one finger left, it will be on the A string 2nd fret (playing a B)

The same is true for the A7 and E7 chords.

If you look at some chord diagrams, you'll see what I'm talking about.

Guitar with a Capo

Did you know that Capo is short for Capodastra?
Neither did I until I started reading up on the Capo to figure out what some of my friends (who are guitar teachers) were trying to teach me about Capos.

Here are some websites that teach about Capos on guitars. Some of them have tables that you can print. You'll find that they each have a different way of expressing the table of the use of Capos. The basic idea though is back to the "Capo Triangle" that one of my friend/instructors told me about, it has 3 "sides" which are: The Key of the Chord, The chord shape (and where the Capo is), and the root note of the chord.

http://www.guitarforbeginners.com/capo.html
http://www.cyberfret.com/misc-wisdom/capo/page5.php
http://www.cyberfret.com/misc-wisdom/capo/transposition-chart.htm
http://www.5min.com/Video/Learn-To-Play-Guitar-Using-A-Capo-Part-1-31245935
http://topguitartraining.com/index.php?key=how_to_use_a_guitar_capo.php
http://guitarwebapp.com/pdf/capopos.pdf

And for those who want to go beyond, there's chord transposition with some music theory here:
http://www.abclearnguitar.com/transpose.html

Guitars, anchors, capos, chord shapes, and hammer-on

How's that for some off-the-wall terminology?!?
And I thought the IT industry had a bunch of jargon to learn!

Well, I learned a bunch from my friends Steve a few weeks ago and then from another friend, Joey, the past 2 weekends:

Anchors: I had learned from a Guitar lesson DVD that when playing chords, it's good to "anchor" a finger in one spot so it's easier to switch chords. I was learning the song "Homegrown Tomatoes" (a Guy Clark song) and was having difficulty switching chords quickly (it only uses 3: the I, IV, and V7 chords - more on that in another post, but suffice it to say in the key of G they are G, C, and D7 - see the chord chart here http://mugglinw.ipower.com/chordmaps/part2.htm). I happened to see Steve and explained to him about needing an "anchor" and he showed me (with no guitar) how I would play the G chord differently so I can switch between G and C easily. I was surprised that I was able to pickup what he meant without having a guitar with me, but you can bet I went home and tried it quick! It's great!

Capos and Chord Shapes:
So, then the past 2 weekends, Joey saw me playing on the porch. He came by and asked if he could jam with me. Of course I responded with a resounding "yes!" (He's a guitar teacher!). He played some wonderful things while I played my simple 3 chord "Homegrown Tomatoes."

I asked him what he was doing and he showed me how he had the capo on the 7th fret. He asked me how I could then figure out where "G" was on the "A" string (one second closest to the sky). Once I found the "G" note, I just had to think of a chord shape (the shape of a chord) that I play without a capo that uses that note as the "root". I mentioned the "C" Chord uses that string in that fret and he told me that if I play the same "chord shape" (same shape as the "C" chord) up on those frets (as though the capo is now the "nut," the piece at the top of the guitar neck where the stings end before the tuning pegs) I would actually be playing a "G". COOL! It sounded like a Ukulele!

Well, he taught me some more about the "Capo Triangle:" The three points of the triangle are the "chord shape", "root" and the "chord." I've got some "homework" that he gave me to do on this, so I'll blog more on this another time.

Hammer-on:
Joey also showed me how he was playing a "hammer-on" to make it sound great. I learned before (from a book) that you do a hammer-on by strumming a string and then quickly placing your finger on the fret where it's supposed to be. It takes a lot of practice (for me at least) to get the timing right. Well, what Joey was doing using a hammer-on was: first, you play the base note, then you play the 2nd string with a hammer-on, then the third string. It sounds great. Time to practice!